![]() Registered DecemRetrospectively registered.ĭance therapy Kinematics Locomotion Parkinsonian disorders Quality of life Rehabilitation. This study is registered with the International Clinical Trial Registry under number NCT03370315. The results suggest that a 12-week program of Brazilian dance was sufficient to produce improvements in functional mobility and gait in individuals with PD. At FS, the swing time demonstrated a significant group*time interaction (p < 0.001 ES = 1.10), in which the two groups exhibited different behaviors: DG decreased (p = 0.015) and WG increased (p = 0.012).įunctional mobility improved similarly in both groups. In general, spatiotemporal parameters remained unchanged, except at SSS, in which the DG increased the stride frequency (p = 0.011 ES = 0.72). The generalized estimating equation method was used to compare the DG and WG pre- and post-intervention and to evaluate the group*time interaction (α < 0.05).īoth groups demonstrated a significant improvement in TUG test at SSS (p = 0.02 effect size = 0.42) and FS (p = 0.02 ES = 0.24). The timed-up-and-go test (TUG) and walking kinematics at self-selected speed (SSS) and fast speed (FS) were determined. This study aimed to verify and compare the effects of a Brazilian dance program, inspired by Samba and Forrró rhythms, and a walking program on functional mobility and spatiotemporal gait parameters in patients with PD.Įighteen participants with PD were divided into a dance group (DG) and a walking group (WG) and were assessed before and after an intervention period of 24 1-h sessions, performed twice per week for 12 weeks. Unlike aerobic training, potential adaptations from the practice of dance are less understood in PD, particularly compared with better known exercise modes. The Samba frame is similar to a bolero frame with more separation between the partners.Parkinson's disease (PD) causes motor and nonmotor disorders in patients. It is characterized by its syncopated timing, bounce, rolling hip action and pelvic tilt and a great deal of rhythm is expressed throughout the torso. Samba is a fun, upbeat, lively dance that progresses counter-clockwise around the floor. In Brazil however, samba remains a solo form, danced at street festivals and other celebrations with nationalistic pride. In the US, Samba evolved into a couple’s dance performed in most ballroom and was standardized as a ballroom dance in 1956. These bossa-nova standards combined samba rhythms with “cool” jazz. In the 1960’s Brazilian music became widely popular with the release of Stan Getz “Jazz Samba” and “The Girl from Ipanema”. Fred Astaire and Dolores del Rio danced to a Brazilian beat in “Flying down to Rio” and Carmen Miranda shook her hips in films such as “That Night in Rio”. There werent many tourists (maybe 10 others), so be prepared for. ![]() Samba was introduced to the US in the late 1920’s via the Broadway play, Street Carnival and more widely exposed through films. Its easy to find a seat to have a couple of beers and caipirinhas before the dancing starts. The dance is a solo art form with rapidly moving hips and quick transfers of weight. ![]() This new Samba music served as a kind of oral history, relating current events, aging against inequities or simply celebrating the joys of a great party. Samba music originated on the Brazilian plantations where the African rhythms of slaves fused with European music. This style of Samba is not a partner dance unlike Ballroom Samba. Samba is the national dance of Brazil, celebrated every year during Carnival where hundred of thousands of costumed revelers parade in the streets singing, drumming and dancing.
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